Photo Essay: Praba Pilar Lecture and Performance at the University of Saskatchewan, March 7, 2018

New Feminist Lecture Series: Praba Pilar
"Situated Embodied Resistance to 21 Century Necro-Techno-Colonialism"
Images below (c) Robert Barry Francos / FFanzeen, 2018
Description and flyer from the University of Saskatchewan

This lecture was held at the Gordon Snelgrove Gallery on March 7, 2018. Introduced by Dr. Marie Lovrod (Coordinator of the WGST Program) and videotaped by the Marcus Miller (Director of the Snelgrove Gallery), it was described as addressing "how contemporary technological corporations such as Facebook, Google and others from a global apparatus of surveillance capitalism; this is ...necro-techno colonialism that adapts the 'salvation narrative' to proclaim a future of liberation ad instrumentalize faith. In this way, online data brokers convert biological life into an extra-judicial colony in service of exploitation, dominance and control."

Essentially, this can be viewed as a Media Ecological view of how the use technology can be used to control aspects of a users life in a way they were not expecting. While she did not use the term, it falls close to the "First we use technology, and then technology uses us" way of thinking.

After the lecture was a performance by Pilar which fell into three segments, the first being aggressive, the second passive, and the third was giving maize products to indicate life, all for viewing the militancy of technology, and the earth's forgiveness (at least that's my interpretation of it).

There was a question and answer period afterwards.

Concert Review: Johnny Winter, October 19, 2011, at Louis', in Saskatoon

Text and live photos © Robert Barry Francos / FFanzeen, 2011
Poster from the Internet
Johnnywinter.com

Despite being the pub on the campus of the University of Saskatchewan, Louis' (pronounced Louie’s) is quite sizable, holding well over 200, and has had a long series of distinguished guests perform there. On October 19, 2011, it was Johnny Winter and his band.

Now, I hate to be late for the opening act, because I’ve seen some amazing shows in my life. Due to an employment situation, however, I couldn’t get there until after Vancouver native David Gogo had already begun. Another solid Blues act, the 20 minutes or so that I did manage to catch were some amazing Delta smolders and shouters, some played on a beautiful 1930 resonator guitar, the other an acoustic from 1915, if I remembered the dates correctly. The five songs I heard were crisp, to say the least, and the banter between songs consisted of the history of the resonator (and its function, of course), along with some corny material (something like, “Don’t be a name dropper, Al Pacino once told me…”) and a pointer towards the merch table. For his conclusion, he covered Winter’s “Dallas.” It seemed appropriate that night. As for his Blues playing, it was sublime.

Yes, Winter’s life tale is long told and easy to find: Texas bred with brother Edgar, grew up with Blues as a force, found rock’n’roll and became a rock guitar god with the likes of British “brothers” Clapton and Page, fell into addiction during the hedonistic late ‘60s, came out the other side in the ‘70s to reclaim the Blues as his own.

Here it is in the third decade after recovery, and Johnny Winter is still going musically strong. With a new album under his belt, the all-covers Roots (megaforcerecords.com), he is assisted by the likes of Jimmy Vivino, Vince Gill, Susan Tedeschi, and, of course, Edgar. It was on the basis of promoting this CD that he started this tour last year, as it wings its way through its Canadian arm.

Johnny Winter’s band came out on stage first: Paul Nelson (guitar), Scott Spray (bass) and Vito Liuzzi (drums), all with terrific Blues rock heritage, including having all been the back-up band for Eric Sardinas. They could be a great power trio on their own, but why do that when you can open for one of the great living Blues men of the modern age?

With a huge Johnny Winter banner on the wall behind Liuzzi, front and center was a plain wooden seat and a mic before it, with a box on the side holding a water bottle. As the band was blowing a jam hard, the MC helped Winter onto the stage, leading him to the chair. He looked frail and bent, beyond his 67 years, but when he sat with his black headless Lazer guitar on his lap, his fingers just about flew.

Now, while I’m a fan of the Blues, I’m hardly an expert, so please excuse any errors, or better, let me know and I’ll correct it.

The first of his more than dozen numbers was Freddie King’s “Hideaway.” Johnny’s voice was in decent shape considering the breadth of the tour, with his signature growl having a bit of gravel. His eyes faced straight ahead, with little variance, due to vision issues (this was obvious by the way he reached for his bottle of water). With little fanfare by way of between-song banter, unlike Gogo’s enjoyable glibbery, Johnny started the next song as he did with many others, “This is ‘Sugar Coated Love’ [by Jay Miller].”

I was informed before I went in that photos were permitted only during the first three songs, and especially no flash. But this is the electronic age, where people sell their souls not to play excellent guitar at a mysterious intersection at midnight, but for ubiquitous cheap pocket and cell phone cameras. A large crowd was in front, all snapping – well, clicking – away, flash on. But not wanting to be the Ugly American and keep my word, somewhat, I did take photos – and honestly during more than for the three songs – but I only took two with flash. But my lesson was learned, as thanks to Johnny’s pale skin juxtaposed by his standard black clothing (and customary hat), the contrast made the closer picture of him unusable. I kept the one of the whole band, but for the others, stayed with the non-flash shots, which worked better in black and white.

As has been true since at least his 1979 appearance on the German television program Rockpalast (available at MVDaudio.com), Johnny mixes in some rock and roll with the Blues, though far less than he did in the 1960s. This was represented by an blazing cover of Chuck “the true king of rock and roll” Berry’s “Johnny B. Goode” (he does “Maybellene” on the CD) and Bobby and Shirley Woman’s “It’s All Over Now” (I’m sure most people there that night, myself included, consider it a Rolling Stones’ song). However, Jagger and Richard’s were represented by “Gimme Shelter,” though for many years, “Jumpin’ Jack Flash” had been a JW show regular.

The first song off this set from his new CD is “Got My Mojo Workin’,” by Preston Foster. One aspect to notice was just how many different styles of Blues was played during the show, from Chicago, Texas, Delta, and so on. There were slow burners like Ray Charles’s “Black Jack” to rave ups such as Larry Williams’s “Boney Maronie.” Isn’t it amazing how much diversity can evolve from the simple Blues progression of I-IV-V?

Along with all the covers, Johnny showcased his own material with “She Likes to Boogie Real Slow” and “Lone Wolf,” two classics that easily fit into the Blues cannon and surely will continue to be covered by other artists, keeping the oral Blues tradition alive.

The only break in singing (other than extended solos) for Winter was when drummer Vito Liuzzi admirably took over on Freddie King’s “Tore Down” in the middle of the set. The rest of the band definitely had their time to shine, though, with their own fiery lead licks here and there, along with Johnny’s two introductions of his back-up.

For the last song in the set, “It’s All Over Now,” Johnny left the chair and stood for the entire number, which was quite the showstopper. After it ended, the band left the stage to ringing applause and standing Os. This went on for a few minutes, when my friend asked, “think he’ll do an encore?” “Oh, yeah,” I responded, pointing out the roadie readjusting the chair and mic. Sure enough, the band returned, and this time Johnny was clutching his infamous 1964 Gibson Firebird V, which, like him, looked the wear of the years but sounded solid.

For the encore, they started with Robert Johnson’s “Dust My Broom,” the second song off the Roots CD. This was followed by a beautifully handling of Dylan’s “Highway 61 Revisited.” By this time, Winter’s voice was becoming increasingly raspy, and everyone knew it was time for the master to leave the stage for the night. Sure enough, as they exited the stage once again, the lights came on and the PA music started. Everyone started milling out, satiated for the night.

Post show note: At the end of the 90-minute-plus show, as Johnny was getting ready to be led off, a drunken fan who had stood in front the whole performance reached out to shake Johnny’s hand, as he had done with David Gogo, but Johnny moved like the guy wasn’t even there, as he left the stage with some assistance. I ran into the besotted fellow in the bathroom after, as he weaved by the urinal. Ignoring the “don’t talk in the bathroom” protocol (hell, I’m from NYFC), I said, “You know, he didn’t shake your hand because he couldn’t see it. Hope you didn’t take that personal.” Zipping up, he slurred, “Nah, man, it’s totally cool. Johnny’s the man.”

Across town, Selena Gomez was playing to a huge, sold out audience in an arena. But I was happy to have been in an intimate show with Winter because, yes, Johnny’s the man.

Set List:
1. Intro Jam
2. Hideaway (Freddie King)
3. Sugar Coated Love (Jay Miller)
4. She Likes To Boogie Real Low (Johnny Winter)
5. Good Morning Little Schoolgirl (Sonny Boy Williamson)
6. Got My Mojo Workin’ (Preston Foster)
7. Johnny B. Goode (Chuck Berry)
8. Black Jack (Ray Charles)
9. Tore Down (Freddie King)
10. Lone Wolf (Johnny Winter)
11. Don't Take Advantage of Me (Lee Baker Jr.)
12. Gimme Shelter (Mick Jagger and Keith Richards)
13. Boney Maronie (Larry Williams)
14. It’s All Over Now (Bobby and Shirley Womack)
Encore:
15. Dust My Broom (Robert Johnson)
16. Highway 61 Revisited (Bob Dylan)


Dedicated to JW, John Lappen, and Helen Francos on her 85 birthday (RIP)

Bonus Video: (same group as this tour)

The Saskatchewan Book Awards Reading, Oct 2010

Text and photos (c) Robert Barry Francos
Photos can be made larger by clicking on them

There was a book reading by three of Saskatchewan Book Awards winners held at the Faculty Club of the University of Saskatchewan on October 25, 2010. Luckily, I had the opportunity to attend.

I met David Carpenter earlier this year and we have gathered socially a few times; last year I had a writing class with Candace Savage where we read Trevor Herriot, and I was looking forward to hearing Gerald Hill as I was yet unfamiliar with his work. If you are a Canadian literature buff, or live in Saskatoon, those are three names that will sound pretty familiar, and there is a good chance you have read their output.

The faculty club is a lovely fieldstone historic building, with dining areas as meeting rooms. For this time, we met in the Fireplace Room. It was my first time in the club.

The Fireplace Room.
Jackie Lay, Executive Director of the Saskatchewan Book Awards, sits at the book buying/signing table, while English professor Bob Calder waits to introduce the authors. Bob was not only host, but he is also a recipient of the Saskatchewan Writers Guild's Hyland Award for "outstanding services to the growth and development of the Saskatchewan writing community."
David Carpenter catches up with Trevor Herriot.
Noted local actor Henry Woolf, fresh off performing this summer in the Saskatoon Shakespeare Festival's "Merchant of Venice" and fall in "Great Expectations" (wonderful show I was fortunate enough to see... thanks Liz), buys books while Trevor and David sign copies for him. Henry was also in a number of first rate projects, including Superman III, Gorky Park, The Rutles, as the wedding photographer and one of the time warping Translyvanians in The Rocky Horror Picture Show, and in a recurring role as the Collector in the Dr. Who series.
Bob Calder talks to Henry Woolf.
Discussions before the reading.

Bob Calder's introduction for Jackie Lay.
Jackie Lay makes a quick announcement.
David Carpenter and Bob Calder listen intently to Jackie.
Trevor Herriot noticing a friend in the audience.
Bob Calder introduced all the writers / readers, including Trevor Herriot, who had been his student at the University.
Trevor Herriot reads from his book, Grass, Sky, Song: Promise and Peril in the World of Grassland Birds, which won both the Non-fiction and Regina Book Awards. Trevor is an expert on Sasatchewanian birds.

Next up was David Carpenter, reading from his novel, Niceman Cometh, which won the Saskatoon Book Award.

Last up was Gerald Hill, who read from his 14 Tractors, which was given the Award for Poetry.


After some final words, we adjorned to some noshies and punch. And did I mention there is a bar?