Text by Stacy Mantel / FFanzeen, 1982
The following interview with Pere Ubu’s very elusive lead singer David Thomas (aka Crocus Behemoth) was conducted via mail by questions submitted by Stacey. We pick up with Dave’s opening comments. – RBF, 1982
Introduction © Robert Barry Francos / FFanzeen, 1982 and 2019
Images from the Internet
This interview was published in FFanzeen, issue #9,
dated 1982, by FFanzeen Managing
Editor, Stacy Mantel).
Since the interview, Dave Thomas has had a broad solo career, and despite
his comment, has resurrected his proto-punk band, Rocket from the Tombs. Due to
the nature of the style of interviewing, which was pretty common back in the
day, there was no chance to Stacy to follow up on some the answers, such I
would have definitely liked to ask for myself. – Robert Barry Francos, 2019
* * *
Pere Ubu |
The following interview with Pere Ubu’s very elusive lead singer David Thomas (aka Crocus Behemoth) was conducted via mail by questions submitted by Stacey. We pick up with Dave’s opening comments. – RBF, 1982
* * *
“I must say that this
is a thorough job: paper to answer on and all. I have spent the day catching up
on the mail so I don’t know how much I will be able to satisfy your wishes.
Your letter, as circumstances would have it, was the bottom letter in the second
bag of mail I’ve answered today.”
Rocket From the Tombs; 1970s |
FFanzeen: What is the most common misconception people have about
Pere Ubu?
Dave Thomas: (A) we like
art; (B) we like industrial music; (C) we are organized and follow a plan; (D) we
are disorganized and spontaneous.
FFanzeen: Describe your music to someone who has never heard
it before.
Dave: It is a modern
sort of folk music.
FFanzeen: Does David Thomas still collect bubblegum cards?
Dave: I never collected
bubblegum cards, and if I did so as a child, I’ve long forgotten it. Did I once
say I did? Or was I once reported as saying I did? Oh, the tangled web we weave
when, etc.
FFanzeen: Is the
machinery of Cleveland still a musical inspiration?
Dave: No.
FFanzeen: Why didn’t you move to New York City?
Dave: Nobody wanted to
live in NYC. Our families are here. Our homes are here. Both of those are very
important things. More important than music or business. Also, we like it here.
We live here; I think that is the best summary. Also, the question must be asked
in return – why?
FFanzeen: So many groups are inspired by Pere Ubu, but
musically do not come close. What is the ingredient they lack most?
Dave: Any answer would be
presumptuous. (At this point, as your hopes sink slowly in the Midwest, you may
begin to realize that you’re not going to uncover the “real Ubu” by the course
of this interview. Don’t panic.)
Pere Ubu at CBGB |
FFanzeen: How are the songs usually generated?
Dave: Somebody has an
idea; or a piece develops out of a jam. Not a very complicated process,
actually.
FFanzeen: What is Dave Thomas’ pre-Pere Ubu background?
Dave: I was a writer
for a weekly rock’n’roll/movies, etc., tabloid in Cleveland. I also did layout
and production. I was in a pre-Ubu band that was good for about three months
over the course of two years [I believe
he’s talking about Rocket from the Tombs – RBF, 2019].
FFanzeen: Are band members currently in other groups or
working on other projects?
Dave: Mayo Thompson [guitar] leads the Red Krayola, which is
still active. Anton Fier [drums] is a
member of the Lounge Lizards. Dave Thomas leads the Pedestrians when not
working with Ubu. Tony Maimone [bass;
currently owns Studio G in Brooklyn - 2019] does solo recording and plays
organ with a reggae band in Cleveland. Allen (Ravenstine) [keyboards] plays in the Pedestrians and the Red Crayola.
FFanzeen: What is the group’s view of the Moral Majority?
Dave: Ubu does not have
political views. And I certainly do not.
FFanzeen: Do you believe in “zero hour”?
Dave: According to
every clock I’ve ever seen, there is no such thing as “zero hour”.
FFanzeen: Are you a “survivalist” or member of the “Ground
Zero” club?
Dave: No.
FFanzeen: What is your opinion of the new horror movie genre?
Dave: I detest blood
and gore movies and cannot stomach them.
FFanzeen: Can we ever expect a book of poetry or a novel?
Dave: I have thought of
getting into the poetry racket but my wife has managed to dissuade me so far. I
don’t have the concentration to write a book which is why I do songs: one good
line repeated a few times and you’re out.
FFanzeen: What is David Thomas like when he is not David “Pere
Ubu” Thomas?
Dave: Huh?
FFanzeen: What makes Dave Thomas so loveable?
Dave: See answer to Q #6.
FFanzeen: We understand that the press can be unsympathetic
and really off-target when describing the group.
Dave: Oh, sure. But I
can’t remember who or when.
FFanzeen: Whatever happened to the Numbers Band and 15-60-75?
Dave: One and the same
band. 15-60-75 plays, still, four or five times a week in Kent and Cleveland.
FFanzeen: At this point, do you think the next album will be
looser or tighter, in terms of structure?
Dave: We have begun
work on The Song of the Bailing Man,
and are very excited by it. The songs are all two minutes or under, so far. The
structures are very tight.
FFanzeen: Whose music do you prefer listening to today?
Dave: I find very
little in modern music to hold my interest.
FFanzeen: When will you be coming back to New York?
Dave: Maybe November.
Rocket from the Tombs, redux |
Dave, post-questions:
“Pretty stunning interview, eh? What can I tell you?
“Pretty stunning interview, eh? What can I tell you?
“In May-June, while in
the U.K., I recorded a solo LP entitled The
Sound of the Sand & Other Songs of the Pedestrian. It was produced by
Adam Kidron. It will be released by Rough Trade in mid-September. The musicians
who played on it are: Richard Thompson [guitar],
Philip Moxham [bass], Anton Fier,
Tan-Tan, Allen Ravenstine, Chris Cutler [percussion],
Ralph Carney [multi-instrumentalist; d.
2017], John Greaves [bass], Mayo Thompson,
Scott Krauss[drums] and others. It is
37 minutes long, but has been mastered and pressed at 45 rpm.
“Oh, yes, we are
working on Vol. 2 of Ubu Live, tentatively entitled, Altered for Your Listening Pleasure.
“Stacy, I hope you do
not over-romanticize Pere Ubu. We are just entertainers. We are not artists. We
take pride in our work, though, and we try to be as entertaining as possible –
not appealing, we hope, to the lowest common denominators. Puzzles and games, i.e.,
chess, are entertaining, aren’t they? Listening to folks talking about years
ago is entertaining, isn’t it? Amusing your friends and each other in wholesome
activity can be great fun and can also be unbinding and intellectually
stimulating. A hundred years ago friends and neighbors would gather together
and sing songs at the piano, or go to lectures at the Town Hall on the yellow-breasted
titmouse, or the symbolism of 17th Century literature. They didn’t wallow in an
atmosphere pervaded by themes of sex, violence and base emotions. They didn’t
seek to void real things in a whole-hearted manner. Such things are not
entertaining. Self-occupation is not entertainment.
“I must move on now.”
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