Showing posts with label Rare and Unseen. Show all posts
Showing posts with label Rare and Unseen. Show all posts

Monday, July 5, 2010

DVD Review: The Rolling Stones: Rare and Unseen

Text © Robert Barry Francos/FFanzeen
Images from the Internet


The Rolling Stones: Rare and Unseen
Wienerworld Presentations, 2010
64 minutes, USD $14.95
Wienerworld.com
MVDvisual.com


As is usual with this series, there is only action and dialog, with no music. However, there is a lot going on all the time. Less linear than the one on John Lennon, jumping back and forth in both time and topic, it still remains as relatively comprehensive over the career of the band.

Again, there is nothing about the lads before the band’s formation, nor is there even much about how they got together in the first place, but that’s to be expected. Where it does start is with a humorous quote from Mick Jagger very early on after the band had been together for a couple of years. During a television interview, he pensively states (and this is the opening line of the documentary): “I’ve never thought I’d be doing it for two years even; we’re probably set up for another year.”

The first major clip shown is of Mick being interviewed by Jools Holland (of the band Squeeze) on his The Tube show. This is just the first of many interviews presented, both as individuals and as a group, such as the hilarious questions asked by Ulster Television’s The South Bank Show, where the reporter asks questions about how much money they’ve made and which band is better, the Stones or the Beatles.

There are plenty of shots of the band playing, but always with no music, either overlaid by the sound of radio coverage or a split screen with the band talking on television. In the place of a narrator, there are blue rectangular boxes on the bottom of the screen, filling in what the viewer is looking at, sometimes quite humorously. As for the framework, there seems to be very little thought to chronology given to the clips, sort of like driving a familiar road paying no attention to the yellow line down the center. There are also few temporal descriptors, so events are not well explained or placed in context of the timeline of the band. While this is sometimes frustrating, it can also be said that most die-hard fans know the facts, and are more interested in the rare clips than have the screen filled with redundant (to them) text.

An example of this is the amusing press conference in Russia during the Bridges to Babylon tour in 1998, where it is obvious there is a language barrier that is both funny, and somewhat frustrating to the participants. Another interesting interview is one taken from a 1983 television program where Mick and director Julian Temple are taken to task for the violence in their music video “Undercover of the Night.”

A theme throughout, especially from their early period, is how often the Stones are asked questions on how they compare themselves to the Beatles. They are usually quite diplomatic about it, though it’s obvious Mick is drolly annoyed. Mick, however, is not the only one interviewed, and in fact there is an interesting one-camera Q&A outside a studio with Bill Wyman on the 10th anniversary of his being in the band. He is quite frank and sharp.

There are few details given about the big drug bust of the band, and includes all the same footage one usually sees of them entering and exiting the courthouse both after the arrest itself, the trial, and after the rap-on-the-wrist plea bargain. This is the only time one gets to see Maryanne Faithful and Anita Pallenberg, who go undefined and unexplained. There is, however, a bit more footage of Mick’s marriage to Bianca in 1971 in St. Tropez, where we get to hear Mick speak French. In fact, it’s kind of cool to watch Mick’s accent change over the years, as he starts to drop the faux working class cockney tinge he applied early on.

Speaking of drug busts, there is some coverage of their 1977 Canadian arrest, including the press conference, where Keith Richards looks completely stoned (pun intended).

Jeri Hall makes a very brief (and again, unexplained) appearance at the 2000 opening of the Mick Jagger Centre. Amazingly, there is very little on Brian Jones here, but more focus is placed on some of the other members of the band one usually does not get to see, such as the abovementioned Wyman interview and his live, on-camera resignation from the band in 1993, and some footage of Ronnie Wood’s art show opening at the Drury Lane Theatre.

But the main focus remains on Mick Jagger, with the conclusion of this DVD focusing on Mick’s knighthood, and the band showing up for the opening of Martin Scorcese’s concert film about the Rolling Stones, Shine a Light, which premiered in Berlin in 2008.

While this DVD is somewhat of a mess as far as linearity, the footage shown is accurately described as rare and unseen. I do recommend this more for those somewhat familiar with the band’s history to place the context of the footage, but overall it was an enjoyable ride through the Rolling Stones’ public psyches.

Monday, June 14, 2010

DVD Review: John Lennon: Rare and Unseen

Text © Robert Barry Francos/FFanzeen
Images from the Internet


John Lennon: Rare and Unseen
Wienerworld Presentations, 2010
75 minutes, USD $14.95
Wienerworld.com
MVDvisual.com

When VCRs first came out, I remember getting a VHS of Beatles’ press conferences. This DVD reminded me of that, as there is not a stitch of music in it, but luckily it is a bit more comprehensive and certainly the sound is cleaner than that long-ago VHS.

Lord knows, there is so much documentation on the Beatles, in all formats, so here is one more, with its own little twists. If I have it right, most of the framework of this collection is based around a British television commentary by author Desmond Norris (The Naked Ape, etc.), which looks like it’s from around the late ‘70s or early ‘80s. There are also a number of clips of the 1969 appearance of John and Yoko at on David Frost’s program. But I get ahead of myself.

All the Beatles are here in the first past, though not often heard from because, well, this isn’t about them, per se. In fact, Cynthia and Sean don’t get a mention at all, other than a second hand snipe by Ringo during a press conference (“Don’t forget you’re married! Oh, that’s a secret…”).

Through the early part of the DVD, there are present day interview snippets mixed in with older footage, with the likes of Colin Hanton of the Quarrymen, Beatles press officer Tony Barrow, comedian / announcer / fan Len Goodman (you’ll know him when you see him), and for some God-knows reason, Phil Collins (who, other than being a contemporary of Lennon, doesn’t really add much, as usual). One of the more interesting and amusing extended comments is by actor Tony Booth, who happens to be the father-in-law of ex-British Prime Minister Tony Blair; he tells of meeting Lennon at their mutual dealer’s flat, and of them sharing some weed.

Other than a brief comment by Hanton, there isn’t really anything pre-Beatles to note here at all (Act 1 is the Beatles, Act 2 is post-Beatles), picking up on slices of press conferences, television interviews, and b-roll footage of the boys getting on and off planes. Any concert footage, which is kept to a minimal, is used as background for radio interviews.

At first, there seems to be as much footage of other people as there is of John, but that just sets things up: as Hanton explains that at the beginning, John was actually quite shy and reticent to speak in public, but as time went on, this would change sharply. Lennon clearly came into himself in the late ‘60s, being fairly open to express whatever his opinions were, and take appropriate actions for himself.

One of the 2wo large focuses on the Beatles end is the whole religion flap that brought the Beatles back into the spotlight (albeit not necessarily for the right reasons) in 1966, during an interview with Maureen Cleave. There are shots of Lennon getting very defensive and rankled during interviews, and the now-amusing-and-yet-sad comments about Lennon and Christianity by the Klan.

Another segment focuses on the negative reaction to the band in Manila in (also) 1966, when then-first “lady” Imelda Marcos perceived a snubbing by the band, which had to basically flee for their lives from angry crowds. Some of the press conference when they returned to the UK is featured here.

While there is no footage on the whole India debacle (which I’m convinced was as much a cause for the break-up as was the management issues), it is only mentioned in a passing comment. Likewise, there is very little mentioned about Brian Epstein and his relationship with Lennon, though Lennon’s bitterness about the realization of Epstein’s lack of business acumen, which became clear after his death, is quite pronounced. And this, of course, is followed by the acrimonious Klein-Eastman choices that actually did break up the band. Lennon goes on to say that they were going their own way anyway, but it’s easy to tell there is resentment and possibly hurt in his comments.

Of course, by this time, nearly every shot of Lennon is one with Yoko by his side, including the infamous (and abovementioned) 1969 David Frost interview, where Lennon has audience members hitting a nail into a piece of wood and then asking them how it felt.

The bed-in period and John’s activism are well covered, including the concert tour where all the money was to go to prisons to help people make bail. There is a funny quip by him knocking Mick Jagger about greed.

I remember at the time, when I was watching some of these interviews as they originally played out, wondering how much the drugs had played with Lennon’s mind, because the whole “consciousness” bit was fuzzy, and his commentary felt disjointed (which I’m sure is one of the reasons I never had a desire to imbibe). Seeing some of this footage again after all these years, it still sounds profoundly abstract to the point where it’s almost nonsensical to me, but I can enjoy it more now in hindsight as an “experience.”

After the credits (for the ‘80s British telley show?), there is an overly brief segment that is apparently added on, of the newspaper headline of Lennon’s murder and a quick snip after it, lasting no more than 2 minutes total. This, I would have liked to see more of, actually.

John Lennon was an enigmatic public figure, who some folks hated (like my dad, who thought he was a communist and/or rabble rouser), and others adored him as a demi-deity. Either way, he was one of the central public figures of his time, and beyond. This DVD is a fine way to explore the different sides of the Beatle, the figure, the man.

* * *
A John Lennon story unrelated to the video:
A friend of mine (whose name I will add if he agrees) in New York was listening to Alex Bennett’s radio show late one night, and Bennett gave out Lennon’s personal phone number to his Greenwich Village apartment that he shared with May Pang. My buddy, then in his very young teens, called the number, expecting to get a butler or secretary. The phone is picked up. “Hello” “May I speak to John, please.” “Speaking.” Recognizing the voice, my pal panicked, and hung up. Yep, he hung up on John Lennon.

Bonus video by the great Ed Hamell (aka Hamell On Trial):