Friday, March 10, 2023

Documentary Review: Pieces of Us

Text © Robert Barry Francos / FFanzeen, 2023
Images from the Internet

Pieces of Us
Directed by Cheryl Allison
Wow Films; EEC! Productions; Blue Door Films II; Freestyle Digital Media
92 minutes, 2021 /2023
www.piecesofusthefilm.com/

www.facebook.com/PiecesofUsDocumentary

Originally, I was going to say something about how this is a challenging time to be openly gay, what with the rise of Republican autocratic Christianity, and while that is definitely true, I cannot think of a time after, say, the Stonewall Riots of 1969, where is has been safe to be LGBTQetc. Sure, the arrests have gone down (for now) and there is more of a presence on media, but uncalled for and unnecessary violence towards the community continues, if not recently increasing due to hateful pundit right-wing talking points.

I have to admit, growing up in Bensonhurst, Brooklyn, I had my own biases for most of my early life because I did not know better, but through education and working at a Baskin-Robbins a block away from the Stonewall, I quickly became a proud ally, and have marched in a number of Pride events. That’s me; but it is time to discuss this documentary.

While LGBTQetc. violence is a social problem, it most effects those who has had direct contact with this force. It is the post-violence that is the focus of this film, telling the story of five particular people. What is important to acknowledge is that though these subjects have had horrendous things done to them, it is not these actions that are the main focus, in a woe-in-me fashion, but is rather centered on coming through on the other side, with love and support around them. Despite the pain, this is a positive project.

JP Masterson aka Jipster

The film starts in earnest when we meet Jipster (JP Masterson), a white rapper who works as a middle school psychologist in Brooklyn; he was beaten in a New York subway station - West 4th Street, of all places, the heart of the city’s gay community – for holding hands with Peter, his partner. Interestingly, we see the local television news story about the incident to launch the topic. Masterson is an engaging talker (as a rapper, one would hope). We get to meet his school’s principal, Dakota Keyes, and even some students, who fully support him.

Mykel's flag dance

Flag dance performance artist Mykel picked someone up and brought him home, where he was attacked and beaten. Back in the mid-1980s, I worked with a man named Glen who had a great sarcastic sense of humor, who was murdered by someone he brought home, so I can empathize with the event. While being afraid of reporting this incident to the NYPD, he reaches out to Beverly Tillery, who is the Executive Director of the New York Anti-Violence Project (AVP). She is also interviewed, giving a lifeline for those who may need her services. The person who counseled Mykel was transgender icon, Victoria Cruz.

Victoria Cruz, Mykel

Victoria was at the Stonewall riots in 1969 (as was musician Jayne County), becoming a crisis counselor at AVP, literally saving lives with her generosity of spirit (e.g., to paraphrase, “Don’t say ‘victim,’ say ‘survivor’”). Dressed in Native American paraphernalia, she meets with Mykel at a Brooklyn beach and they talk. I am not ashamed to say I was teary at one point.

Leia

Thus, the viewer is introduced to Leia. She is a single mother from Denver, whose 9-year-old son, Jamel, committed suicide after being bullied. In my opinion, this is being fostered by right-leaning hate speech that is flooding the media. To me, outlets like FoxNews is as much to blame as his classmates that bullied him until he could not take it anymore. This is the desired future of the Republican party, while they hypocritically scream “save the children.”

Leia was counseled by members of local and national organization PFLAG, here represented by Bianca and Brett, who explain their services. It is really smart filmmaking to not only show the problems that the people who were attacked went through, and their journeys back to their lives, but also to focus on the organizations that are there to support people in those situations. I respect that a lot. Another example, which is focused on here is the first Straight-Gay Alliance advocacy group, The Swish Ally Fund, founded by Sue Sena, who is also featured.

Prince Manvendra Singh-Gohil

The centerpiece of the film is Prince Manvendra Singh-Gohil, the “world’s first openly gay prince,” who is from India. Of course, he received numerous death threats and abandoned by his family, which led him and his husband, Duke DeAndre, to become global ambassadors to LGBTQetc. rights. We meet him in India at a compound set up as a safe place for the LGBTQetc. community in that country. As he visits New York, they touch on the importance of Stonewall, and we see the triangular Christopher Street Park (a place I have been many times), directly across from the Stonewall. Nearly everyone in the film comes together for the coda at the World Pride Parade there (if I may digress, if you have the chance to get to a New York Gay Pride Parade, do it!). It is truly a joyous moment.

The director of this documentary, Cheryl Allison, is an actor, producer, and a filmmaker focused in on sexual-based injustices (e.g., Shatter the Silence in 2019). She does a magnificent job here getting the point across. One aspect of this I particularly liked is that she takes each case study and shows them individually, rarely cross-cutting back and forth between them until further on, when you realize all of the subjects intertwine in their lives one way or another. And yet, they roll from story to story, organically growing as one introduces the other and the effects they had on their lives. This gives a better picture of “flow,” from hurt to healing for each individual, since everyone had their own pathway through PTSD into health.

This film is mostly New York-centric, a “Blue” city in a “Blue” state, where generally being LGBTQetc. is not only broadly recognized, but mostly accepted. And, yet, even in this melting pot, there is a unfounded hatred for the “Other,” be it due to various religious beliefs or just being afraid to come out of the closet (e.g., Republicans like American Conservative Union chairman Matt Schlapp, who is currently accused to sexually assaulting a male driver during Hershel Walker’s failed campaign). What I would like to see, going forward, is this film become a series, because once one gets below the Mason-Dixon, I am willing to assume that the violence level would increase exponentially, and it needs to be addressed to be able to heal as a country.

This is a powerful testament to love that arises like a phoenix from violence, giving voice to advocacy and positiveness, rather than negativity. It manages to be emotional, inspiring, and pointed, without being maudlin, sappy nor sensationalistic. It is a powerful piece of work. This should be shown in schools across the country, especially in Red states like Florida and Texas, where homophobia is rampant.

The documentary is available on Apple TV, iTunes, Amazon, Vudu, DirectTV, and Spectrum, among others.

IMDB listing HERE



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