Text
© Robert Barry Francos / FFanzeen, 2015
Images from the Internet
MIG / WDR
74 min, 1980 / 2011 / 2012
www.MIG-music.de
www.MVDvisual.com
Mick Ronson: guitar / vox
Tom Morrongiello: guitar
Martin Briley: bass
George Meyer: keyboards / saxophone
Tom Mandel: keyboards
Eric Parker: drums
Once Bitten Twice Shy
Angeline
Laugh at Me
Irene Wilde
I Wish I Was Your Mother
Just Another Night
We Gotta Get Out of Here
Bastard
All the Way from Memphis
Cleveland Rocks
Encore:
All the Young Dude
Slaughter on 10th Avenue
Images from the Internet
Ian Hunter Band feat. Mick Ronson, Live
at Rockpalast 1980
Directed by Christian Wagner MIG / WDR
74 min, 1980 / 2011 / 2012
www.MIG-music.de
www.MVDvisual.com
Call
me crazy, but I always thought of Ian Hunter’s infamous Mott the Hoople as the
British version of the MC5. After he left the band, well, if you’ve ever had
the chance to hear Mott, you know just how sorely he was missed. I saw Mott
open for Sparks at Avery Fischer Hall in the mid-1970s and, well, it’s not a
good memory.
Guitarist
extraordinaire Mick Ronson, who died in 1993 of cancer, first came to the consciousness
of the US through his work with Bowie’s Spiders of Mars. I still remember
seeing the ginormous billboard promote his solo LP, Slaughter on 10th Avenue in Times Square in the ‘70s (I have a
picture of it somewhere). When he joined up with Mott, both he and Hunter soon
left to live in New York City and continue their collaboration.
When
introduced by the emcee for this performance at Grugahalle, in Essen, Germany,
on April 20, 1980 (Adolph’s birthday, FYI), I find it kind of funny that these
two Brits are invoked as a New York band. This is part of the same tour that
gave the world Hunter’s Welcome to the
Club live double LP; in fact, the playlist is extremely similar. The one
major difference, I’m sorry to say, is that there is no Ellen Foley, who often
backed up Hunter and Ronson. Other than that, the band is the same.
After
a brief instrumental of “F.B.I.”, Hunter strolls out with his guitar and after
saying hello in German, the band lays into ”Once Bitten, Twice Shy,” a hit from
his eponymous first solo release. They show they are there to take care of
business. As with many of his songs of the period, they are a bit rough and yet
poppy, and have enormous hooks that are just shy of stadium rock stature.
Hunter
never had a “perfect” voice, which makes it all the more charming in its
uniqueness. You can recognize it instantly, and not just because of the ever
present accent. He also seems quite at ease on the stage as he continues on
covering key songs from his solo LPs and some – but not much – Hoople material.
A
stand-out song right at the beginning is the underrated Sonny Bono sans-Cher
song, “Laugh at Me.” It’s the first time Ronson joins in with his vocals, as he
shares a mic with Hunter for the first few stanzas of the instantly identifiable,
round-chording of the eventually Republican Scientologist Bono (d. 1998; he
would have been 80 this year).
After
the ballad “Irene Wilde” where Hunter trade his guitar for a piano, he hooks up
again to cover the Hoople’s grinder, “I Wish I Was Your Mother,” with Ronson on
mandolin. On this one, Hunter has a sort of Dylan-esque patter to his voice.
But
he picks it up again with the rousing jailhouse themed “Just Another Night,”
including a stint of standing in the audience – next of a seemingly very nervous
cameraman – as the crowd chants the title over and over, fed by the band
holding up the words in German. This is followed by the first song that sounds
like the ‘80s, “We Gotta Get Out of Here,” as it is drenched in a synth sound;
it’s a tone I’m not particularly fond of, but the upbeat pace saves it on some
level.
They
redeem themselves with the lengthy, hard-hitting and mean spirited “Bastard,”
which always reminded me of the song “For the Hell of It” from Phantom of the Paradise (1974). Also,
they return to form with “All the Way from Memphis,” a rousing Hoople number
where Hunter and Ronson trade complimentary guitar licks. I also find it
amusing that the song “Cleveland Rocks” had such a strong second life with The Drew Carey Show. It really is a fun
piece of fluff, and the band here rocks it up with no mercy.
For
the encore, we get treated to the two leads’ biggest hits, Hunter’s “All the
Young Dudes” and Ronson’s instrumental “Slaughter on 10th Avenue.” For me,
these were possibly the least fave songs on the DVD, because, well, I’ve never
been a fan of those two particular numbers. So much of the other material here
is far superior. In my meager opinion, the only reason “Dudes” was as popular
as it was is because it was written by the Thin
White Duke, rather than the quality of the actual song.
The
sound here, as with most of this series, is quite crisp, as is the visuals.
However, there is some visual “noise” occasionally, seen as lines across the
screen that crop up here and there. It’s a common effect from transferring from
PAL to a non-European format. Still, it’s (a) not often or intrusive enough to
ruin the experience, and (b) the quality of the music makes it worth it. The only
extras are some 30-second trailers of other Rockpalast
releases, the song list, a really nice booklet filled with black and white
photos of the show, and technical information (i.e., credits). Note that this
is also available as a CD, and I’m going to venture to guess it’s also
obtainable in digital form.
Most
of the band is dressed in stage clothes that represent more of the New Wave,
with guitarist Tom Morrongiello’s curly mullet and black and white
tiger-striped top (and sunglasses, of course), or another member in a black
leather jacket that’s more Michael Jackson than Ramones, all of which would be
outdated very shortly. Hunter, of course, wears what has become his signature
outfit: white shoes, gray suit and white shirt with extended collars and loosened
tie, sunglasses, and his big perm (which I’d have to be convinced that it’s not
a wig).
As over-indulgent
music grabbed hold of the ‘80s, many British vocalists would strike out on
their own and have overbloated hits, such as Peter Gabriel’s “Sledgehammer” or Phil
Collins’…well, everything. Just about the only one who rose above all that clamor,
in my humble opinion, was Hunter with his “All of the Good Ones Are Taken,”
which is sadly not included here because it would not be released for another
three years after this show.
For
a guy who is 41 years old at the time this was recorded (he’s 76 now), Hunter
put together a great show for this concert. And we, the audience, are the lucky
for it.
Band:
Ian Hunter: vox / guitar / keyboardsMick Ronson: guitar / vox
Tom Morrongiello: guitar
Martin Briley: bass
George Meyer: keyboards / saxophone
Tom Mandel: keyboards
Eric Parker: drums
Song List:
FBIOnce Bitten Twice Shy
Angeline
Laugh at Me
Irene Wilde
I Wish I Was Your Mother
Just Another Night
We Gotta Get Out of Here
Bastard
All the Way from Memphis
Cleveland Rocks
Encore:
All the Young Dude
Slaughter on 10th Avenue
Bonus
No. 1 unconnected video:
Bonus
No. 2 unconnected video:
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