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© Robert Barry Francos / FFanzeen, 2015
Images from the Internet
What Did You Expect? The Archers of
Loaf: Live at Cat’s Cradle
Produced, directed and edited by Gorman Bechard
What Were We Thinking Films
88 minutes, 2011 / 2012
www.WhatDidYouExpectMovie.com
www.wwwtfilms.com
www.archersofloaf.net
www.mvdvisual.com
That
being said, what the band is most memorable for is their music, of course. As
director Gorman Bechard describes them on the DVD cover: “Archers of Loaf were
the greatest indie rock band of the ‘90s. No one had more energy on stage. No
one put out better records.” You might even say he is a fan (yeah, I’m bein’ a
smartass).
The Archers
had four albums, so at this point when they play live they are a more or less a
Greatest Hits group, like the Beach Boys. This is not a criticism, it’s just
the fact. Luckily the music holds up after all these years. You can see it in
the faces of the fans who look like they were in infancy when the Archers was originally
active, and they mouth along with the songs. That’s a testament to both the
band and the material.
Eric Johnson: guitar
Matt Gentling: bass / vox
Mark Price: drums
Harnessed in Slums
Greatest of All Time
Lowest Part is Free
Freezing Point
What Did You Expect?
Worst Defense
Attack of the Killer Bs
You and Me
Might
Bacteria
Web in Front
Nostalgia
Slow Worm
Encore:
Wrong
Plumb Line
Revenge
Second Encore:
Scenic Pastures
1985/Fabricoh
All Hail the Black Market
Strangled by the Stereo Wire
Form and File
Let the Loser Melt
Step Into the Light
Smoking Pot in the City
Images from the Internet
Produced, directed and edited by Gorman Bechard
What Were We Thinking Films
88 minutes, 2011 / 2012
www.WhatDidYouExpectMovie.com
www.wwwtfilms.com
www.archersofloaf.net
www.mvdvisual.com
The
1990s was a good time for indie music. Just listen to Mary Lou Lord’s song from
that period, “His Indie World,” and you’ll possibly think, “Oh, yeah, right.” One of the bands not mentioned in the song though, was
the Archers of Loaf, hailing out of Ashville and Chapel Hill, NC.
Everybody
seems to talk about how bad a band name it is, but what I never hear anyone say
is that it’s actually the “badness” that first absorbs the attention of the
listeners. In other words, people will remember the name better if it’s badder
[sic].
Then |
The
group formed in the early ‘90s, broke up in the late ‘90s, and reformed again
for short tours (one of the band members refer to themselves as “weekend warriors”)
in 2011, when this concert was filmed by seven pretty steady handheld cameras
at the Cat’s Cradle, in Carrboro, NC, a mere few hours from their home turf.
Well,
enough with the history lesson, let’s examine the documentary. Before anything,
let me state that one of my pet peeves in concert footage is quick edits, I
prefer slower and longer shots, to see what the band is doing musically (e.g.,
watching hands on frets). The tendency is to match the music to the edits, and
with indie or punk bands, the inclination is to do extremely quick shots. For
this film, the edits fall somewhere in the middle. Bechard uses medium length
clips that are not gonna be flashing so fast it could set off a grand mal, but it’s not lingering,
either. It’s a pretty decent flipping camera-to-camera ratio.
Most
of the cameras, however, are either from the back, the side, long shots of the
whole stage, or close-up to vocalist Eric Bachmann; often it’s hard to make out
exactly what they’re playing.
However, some of the camera work is excellent, such as the one to the far stage
left near guitarist-lawyer Eric Johnson, which often manages to get his guitar
and the rest of the band at a great angle.
Later |
The
band takes a song or two to settle in, especially Bachmann’s vocals, but by the
time the ballad “Greatest of All Time” comes up, he’s in top form. Some of my
favorite bands have that couple of songs
warm-up, so that’s not unusual.
Except for some gray here and there and some hair loss on a couple of them,
their energy levels were on full force. This is especially true for bassist
Matt Gentling, rocking ripped cargo shorts, and just plain physically rocking…and
jumping…and moving.
The
Archers of Loaf sound is definitive ‘90s, with jangling guitarwork full dissonance,
discordant chording and almost atonal melodies, but manage songs that you can
sing along with, which is one of their strengths. It should be noted that they
are one of the early proponents of that particular sound, and helped popularize
it.
That
style definitely feels strong here, thanks to the concert audio recording and
mixing by Minnesotan bred, Carrboro living Brian Paulson, who was once in the
band Man Sized Action (still have the LPs). More notably, though, he has
produced recordings by this band, Wilco, Slint, Uncle Tupelo, Son Volt, Dinosaur
Jr., Superchunk, etc.
Between
songs, there are brief interviews with the quartet which I really found
interesting, as they are a personable bunch of guys, especially Gentling. They
tell of the origin of their name and the infamy of having such an unusual one,
the differences of touring in a van versus a bus or plane, their friendship,
and being in a band while holding other jobs, to name a few topics. For anyone
who is going to be making a music documentary, please note that I (and I am
assuming others) would rather the interviews have been after the film, rather
than inbetween songs, because it’s harder to get into the music when it’s
interrupted for talking heads, even when it’s the band doing the telling.
For
the extras, there are six more songs from the same set (you can see the list
below), giving you an additional almost 25 minutes of music. Also included, as
Bechard is really good at giving these perks on his discs, is an additional 12+
minutes of interviews with the band, each of whom tell an extended anecdote that
are worth a listen, and the trailer for the film (see below).
As
for me, I still like their first song, “Wrong,” best, followed by “1985/Fabricoh.”
But that’s neither here nor there, really.
Band:
Eric Bachmann: vox / guitarEric Johnson: guitar
Matt Gentling: bass / vox
Mark Price: drums
Song List:
AudiowhoreHarnessed in Slums
Greatest of All Time
Lowest Part is Free
Freezing Point
What Did You Expect?
Worst Defense
Attack of the Killer Bs
You and Me
Might
Bacteria
Web in Front
Nostalgia
Slow Worm
Encore:
Wrong
Plumb Line
Revenge
Second Encore:
Scenic Pastures
1985/Fabricoh
All Hail the Black Market
Bonus songs:
Dead Red EyesStrangled by the Stereo Wire
Form and File
Let the Loser Melt
Step Into the Light
Smoking Pot in the City
https://www.youtube.com/watch?v=K_lzHSkypbg
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