Text © Robert Barry Francos / FFanzeen,
2013
Images from
the Internet
Tribute
to Ron Asheton, Featuring Iggy Pop & the Stooges + Special Guests
MVD Visual
114 minutes, 2011 / 2013
I constructed a theory as I was
watching this, which I believe is both true and false: please feel free to add
your thoughts: The Stooges fall somewhere between the MC5 and the Velvet Underground.
They were sloppier than the MC5, but were less noise than the VUs.
While Iggy Pop was and is the obvious
front face of the Stooges, by voice and action on stage, Ron Asheton was the
electricity that flowed through it, charging him up. Even after Ron moved to
bass following the second Stooges album, with James Williamson taking over, he
played the bass much like a second lead guitar. Soon he left the band, but
rejoined it for a much later reunion tour. Sadly, he passed away in 2009.
Ron was a son of Ann Arbor, Michigan,
where the band formed, and it only seemed fitting that a memorial concert would
be held there at the Michigan Theater, on April 19, 2011, headlined by the
Stooges, the band he helped form. And yet, all these years later with only two
of the four original members (Iggy, and the other being the drummer, Ron’s brother
Scott Asheton), Iggy rightly states during the show, “We are still the Stooges.”
Everyone in the band is gray now except
Iggy, and they have all put on a bit of weight except Iggy. After all these
years, Iggy has simply remained Iggy. With leather skin and more wrinkles than
a Shar-Pei, Iggy’s energy and enthusiasm can rival most bands out there today.
All his signature moves are still present, like the sideways bend and twist,
the mic stand one-arm lean, jumping around the stage like a manic marionette, the
stage diving, and that wicked smile. His voice is as strong as ever, as well.
Produced in part by Ron and Scott’s
sister, Kathleen (“Kathy,” who is mentioned often on this DVD, but never
identified in person), this show is definitely a love letter to the city’s son.
Introducing the Stooges and to remind
everyone why they are there, is emcee Henry Rollins. He uses language like a
spoken word artist (which he is, actually) and explains how, in a 30-minute verse
that feels so much shorter, how members of his once band Black Flag turned him
onto the Stooges, why Ron was so important to that, how the new Stooges respect
Ron’s legacy while bringing in something of their own, and then brings it back
around to how he is introducing the Stooges to new fans around the world. Somewhere
in there, the verbally uncomfortable Scott comes out and gives a quick nod to
both Ron and Kathy. When Rollins finishes, the band (sans Iggy) comes out and
he leads them, with his classic wide side stance and mic cord wrapped around
his hand, in a solid version of “I Got a Right.” Normally his shirt would be
off, but in Michigan, that’s Iggy’s job.
When the Stooges reformed in recent
decades, it was the second line-up, where Ron was bassist rather than
guitarist, and when he passed, those shoes fell to ex-Minutemen Mike Watt.
Surely, Watt is not only an elder statesman of the punk scene, but a rock solid
and respected bassist. He’s also an interesting character if you have ever seen
an interview with him. But he is especially fun to watch on stage. He stands
there in a hockey’s goalie stance with legs spread and body bent forward. His
eyes follow Iggy around the stage with fascination, and with a big smile that
makes it obvious he is enjoying himself. In fact, it’s almost like he’s
watching the show, and his body is playing independently; yet, he never misses
a beat.
James Williamson is a force unto
himself, but has a slightly different cutting edge to his sound. I went back
and watched a 2003 show of the Stooges from Detroit, and Ron had a very
distinctive chainsaw sound that is a bit different than James, though both
deserve to be recognized. Listen to the opening of “Search and Destroy,”
probably my favorite Stooges tune, and you can feel the difference. Both great,
just not the same feel. Speaking of which, after about an hour into the show,
James disappears, and is replaced by fellow Michigan native and ex-frontman for
the Aussie punk band Radio Birdman, Deniz Tek. Again, he is more clinical than
either Ron or James, but he can sure wail.
For some reason, the camera does not
rest much on Scott. He’s always been a consistent element for the band, keeping
everything moving along smoothly. It also made me very happy that they were united
with Stooges saxman Steve Mackay, who seems to get the least attention when you
hear about the band. His shrill bark is definitely part of the band’s sound to
me.
Along the way, at “I Wanna Be Your Dog,”
the band is joined by an orchestra, who I’m not sure helps the sound or gets a
bit lost in it, but it is an interesting concept.
I mean, do I really have to tell you about the Stooges? If you don’t know
them, seek them out. There are so many of their classic hits here. Actually, if
you wanted a greatest hits collection, you’d probably have to just create a box
set of all their songs, but I digress…
While there are a couple of “special
guests” on stage, I’m glad this didn’t turn into a stream of musicians like so
many of these things, showing a pseudo “look how cool I am.” That being said, I
must admit I was hoping Niagara would be there to perform “Bored,” the song she
did with Ron in their post-Stooges band, Destroy All Monsters.
Stooges shows are always worth seeing,
and I have no problem watching this again, or recommending that someone else
does likewise.
There are a few extras here, including a quarter-hour opening set by the Space Age Toasters, who mention twice that they were named by Asheton. They dress like a surf band, but are obviously punk. Lead singer moves really well, and the songs are actually quite decent.
There are also interview segments
lasting 5-to-10 minutes apiece with Henry Rollins (who mostly says the same
things as he does in his onstage band introduction – which I have no problem
with), filmmaker and hipster god Jim Jarmusch (not sure why he’s here, nor what
has he done in the last few years that matters), Ken Haas of Reverend Guitars
that has a signature Ron Asheton model, and with Deniz. Most of these are really
interesting.
The fact that it’s a live Stooges show
alone makes this DVD worth getting, duh, but that it is increasingly so because
of its purpose, and that all proceeds go to the Ron Asheton Foundation, a worldwide
charity concerned with animal rescue (find information HERE).
Band:
Iggy Pop: vox
James Williamson: guitar
Mike Watt: bass
Scott Asheton: drum
Steve Mackay: sax
Deniz Tek: guitar
Song
list:
I
Got a Right (sung by Henry Rollins)
Raw
Power
Search
and Destroy
Shake
Appeal
1970
L.A.
Blues
Night
Theme
Beyond
the Line
Fun
House
Open
Up and Bleed
Your
Pretty Face is Going to Hell
I
Wanna Be Your Dog
TV
Eye
Loose
Dirt
Real
Cool Time
Iggy’s
Speech
Ron’s
time
No
Fun
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