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Back then we were always told that the school was known for high academics, and yet I was surrounded by…well, it was best said by Dan Aykroyd in a spoof on Saturday Night Live called “Samurai Night Fever”: “Isn’t it great to be young, stupid, and have no future?! I love Brooklyn!”
Here are a couple of true examples of living in Bensonhurst in the ‘70s, the first being a digression, the second getting back to Lafayette:
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No, I’m not Kreskin. It’s just that Girl #2 was wearing a high school football jacket that had the name “Tony” sewn into the front, so all I needed to do was read.
See, that’s the thing about where and when I grew up. If one saw a group of people standing on a corner, and walked over to them and asked anything from “Define Sartre’s philosophy of existentialism” to “Where is the corner”, you’d pretty much get the same answer: “Hunh?”
With that as a foundation, the main story I want to tell has to do with Lafayette High School and Shakespeare.
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At first, it went well. The girls in the class did a bang-up job reading the opening. But the trouble came when it was the guys' turn, who (a) were NOT interested in the play, and (b) resented reading a female piece of dialog and risk having their friends see them as anything less than macho.
So, the scene where we first meet the titular female lead, as the Nurse is calling to Juliet. As this piece is read, hear it in thick Brooklynese (if you have problems with that, try it as one of the Sopranos, which would not be far off).
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Guy #2 as Juliet responds, “Who calls?”
To which the Nurse Guy #1 yells back “Ya MUTHA!”
That was the point where the teacher realized the error of her ways and stops the experiment. She gave up, and ended up taking us to see the Franco Zeffirelli version of the film at the local theater.
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