Showing posts with label Blotto. Show all posts
Showing posts with label Blotto. Show all posts

Wednesday, April 5, 2023

A Lot O’ BLOTTO (1981)

© Robert Barry Francos / FFanzeen, 1981/2023
Images from the Internet unless indicated

My pal Dennis Concepcion, who turned me onto Blotto, came with me when I went to interview the group at a club on Long Island. Backstage was a weird mix of calm stillness and pandemonium. Their comments on past members is a bit harsh, in my opinion, but the band played on, and they were pretty much self-deprecating anyway, so I took that as the band’s “personality.” After the interview was over, but before they went onstage to play, two members whipped out a chess board and were deeply into it. On the other hand, being a smart ass, I mentioned to Cheese Blotto (d. 1999) that perhaps he should shave his head as he was noticeably balding. Not only did he do it right then and there with one of those tiny travel razors, Dennis documented it with photographic evidence. The pictures are included in the original article, and as far as I know, Cheese remains curds-less.

This interview was published in FFanzeen, No. 8, dated 1981. – RBF, 2023

Rear: Bowtie, Lee Harvey, Sarge
Front: Broadway, Cheese

A Lot O’ Blotto

Rock’n’roll. Blitz. New Romanticism. Punk. Psychedelic Revival. New Wave. Cabaret’n’roll?!

 

There appears to be a new trend in rock’n’roll which refused to take itself seriously a-toll. Out on the West Coast, there is a group called the Toons, who sing of “Roast Chicken Faces”; in New York City, there’s Junk Rock, who explain the virtues of being a “Sanitation Man.”; and from Albany, NY, there is the more popular leader of this movement, named Blotto.

 

Blotto came into prominence two years ago with the hit, “I Wanna Be a Lifeguard” [which still airs on the radio and weather reports every summer to this day – RBF, 2023], which was played ad nauseam in, in seemed, every club (though the outer boroughs still cheer when it comes up). That cut was off a four-song 12” EP which sold quite well for an independent label, titled Hello! My Name is Blotto, What’s Yours? At that time, the lineup was Broadway Blotto (Bill Polchinski; vocals/guitar), Bowtie Blotto (Paul Jossman; vocals/guitar), Blanche Blotto (Helena Binder; keyboards/vocals), Sergeant Blotto (Greg Haymes, d. 2019; vocals/percussion), Cheese Blotto (Keith Stephenson; bass), and Lee Harvey Blotto (Paul Rapp; drums).

 

The next year (that is, the last from now), a new EP hit the stands, sans Blanche, with Chevrolet Blotto taking over the keyboards, titled Across and Down. Although none of the songs reached the cult status of “Lifeguard,” the four songs on it were consistently good in their own, bizarre ways.

 

Now the present, and the release of a new record, this time a 7” 45.

 

There have been quite a few people who have been onto me because I think these guys are okay. Well, hell, they like what they’re doing: acting a bit irreverent and making damn asses of themselves. Sure, it’s not mainstream rock’n’roll-whatever, but the point is that they are not trying to claim they are. Nothing pretentious here, just a lot of fun.

 

What amazed me was the fact that they use their stage names all the time, even among themselves. Very weird.

 

As a rule, they are nice guys, but a bitch to interview. It was nearly impossible to get a straight answer from them. In fact, what follows, is all that was coherent of a ninety-minute interview.

 

Broadway Blotto: Our new single will be out soon. “When the Second Feature Starts” is on the A-side, and on the B-side is a song called “The B-side.”

 

FFanzeen: How original!
Broadway: Somebody had to do it!
Sergeant Blotto (Sarge): We figured it was better than running the same song backwards. Like Napoleon XIV [“They’re Coming to Take Me Away Ha-Ha” – Ed, 1981].

 

FFanzeen: Why a single instead of the usual EP?
Broadway: Why not?! It’s cheaper.
Sarge: Now we can play them in jukeboxes at diners, by the eclairs on the counters. Also, with a song like “B-Side,” you can’t put that on the back of an EP.
Broadway: And also, after we put out our last EP, we said, “We’re not putting out any more EPs. It’s either albums or a single.”

 

FFanzeen: Why not an album?
Lee Harvey Blotto: We wanted to do a single.
Broadway: You can’t put an album on a jukebox either.

 

FFanzeen: They used to have a shorter album on the jukebox. They were called EPs. [All laugh]
Lee Harvey: One’s like Frankie Valli.
Broadway: I like Frankie Valli. He’s my favorite.
Sarge: He was okay.
Lee Harvey: Was? Isn’t he still alive?

 

FFanzeen: That’s debatable. [That was meant career-wise; as of this writing, FV is still alive – RBF, 2023].
Sarge: I don’t know – check the list behind you. [Written on the wall of the club where the interview is taking place is a list of dead rock’n’rollers – Ed., 1981]
Broadway: You mean, “All the people who died, died?”
Sarge: Yeah. “All my friends, they died, died.”
Lee Harvey: Or the sequel, “People who lived.”
Broadway: We were going to put out a song, “People who Dine, Dine.”
Lee Harvey: Did you hear about that band playing, the Dead Lennon?

 

FFanzeen: Yeah, from Boston.
Lee Harvey: Well, they used to be on Lawrence Welk, didn’t they?
Broadway: Yes, until they died. Arrrggghhh.
Sarge: Then they decomposed.

 

FFanzeen: Did you ever notice that the music for the chorus of “People Who Died” is identical with “Red Hot”?
Broadway: Yeah [sings “Red Hot”:]. “My gal has died, died” [laughs]. Have you seen the video tape from “I Wanna Be a Lifeguard”? It was filmed at various shoe stores and lakes in Upstate New York.

 

FFanzeen: The song came out two years ago. Isn’t it a bit late now?
Broadway: Hey, we’re timely guys.
Lee Harvey: It’s kind of a statement because, like, Albany is two years behind everything and we were just noting the other day that Legs Diamond, the gangster, was shot in Albany two or three years after all the gangland slayings in Chicago and New York had taken place. People had already forgotten it and went on to new things, like baseball and other pastimes. So, that’s why our video tape is two years late. Plus, the fact that some guys came up and said, “Hey, we want to do a video tape of you guys and it won’t cost you anything,” and we said, “Well, now you’re talking.”
Sarge: You see, we don’t like to spend our money on video tapes and things like that. Every once in a while, we like to spend it on foolish little things – like food.
Broadway: Luxury items like that. So, is it true that all the street signs in New York (City) are color coordinated? My cousin told me that. In Queens, its white on blue, the Bronx, is blue on yellow, Manhattan’s black on yellow, Staten Island is black and blue –

 

[At this point, the discussion went on a long tangent on how the band found out about Lennon being shot while on their way to tape an “Uncle Floyd Show” and had to act zany. From there, it went to the imagined shooting of Queen Elizabeth and the shooting of the Pope, and two tourists from Buffalo, NY, where we pick it up.]

 

Broadway: It was on the tour plan: “Would you like the $1000 tour to Rome and you get to see all the monuments, etc., or would you like the $500 tour where you just see Rome from the bus, or would you like the $25 tour, where you get to see everything, but you have to get shot.”
Lee Harvey: “Well, let’s see – if I save up enough money in Buffalo doing piecework separating weenies from chickens –“

 

FFanzeen: Tours in the future?
Sarge: On August 24, we’re play the Garden –
Broadway: That’s planting the garden!

FFanzeen: Whatever happened to Blanche Blotto?
Broadway: What’s become of who?
Sarge: That’s old news. Why don’t you ask us what’s become of Chevy (Blotto)?

FFanzeen: Okay, what’s become of Chevy?
Sarge: Well, it’s all pretty strange. Two weeks ago, he dropped out to join the sink-hole worship cult down in Florida, and he’s living in a tent just outside that sink-hole.
Broadway: He’s a Chevrolet that wants to be at one with the Porches. Actually, his warranty ran out. We heard from [Ralph] Nader’s people and we had to recall him from the group.

FFanzeen: Who is replacing him?
Broadway: No one could replace Chevrolet Blotto.
Sarge: Now, we’re just the Blotto Quartet.
Broadway: Actually, Sarge is filling in on keyboard stuff, Lee Harvey is picking up the slack on the vocals, and business as usual.

FFanzeen: Why “Blotto”?
Broadway: Why notto? Well, if you play crossword puzzles – which I don’t – you find the words include “spiflicated” [not in my edition of Websters – Ed., 1981], six letters, beginning with “B,” fifth letter “T,” ending with “O” – with a “LOT” in the middle!

 

 

 


Sunday, December 26, 2010

Concert Stubs From Long Ago

Text by Robert Barry Francos

Doing some cleaning, I recently came across a stack of ticket stubs from shows and events I had seen in New York. While the shows the tickets represent is hardly inclusive to the shows I have attended, and it mostly certainly does not include clubs like Max’s and CBGBs, here are some of them. Note that I have some with no dates, so I will leave them blank. Notes will be in [brackets]. I have also added who I attended to the shows with, if I remember, or in certain cases, I know but do not want to say. Here they are in order of date:

* NY Rangers vs. Detroit Red Wing, Madison Square Garden, Feb 4, 1970 ($4.00) [My father would occasionally get tickets from the office pool]

* The Kinks, Felt Forum, Nov 27, 1974 ($6.50) [After the first half where they played older material, they returned and did the entire Preservation; attended with Bernie Kugel]

* Marcel Marceau, City Center, Mar 25, 1975 ($7.95) [Was on the guest list after interviewing him earlier in the day; attended with Alan Abramowitz]

* Mireille Mathieu, Carnegie Hall, April 8, 1975 ($5.00) [Beautiful voice; learned about her from the Des O’Connor Show on television; this was just 3 months before the first time I went to CBGB’s and was introduced to the Ramones; attended this show stag]

* Alice Cooper / Suzi Quatro, Madison Square Garden, May 5, 1975 ($6.50) [last row of the balcony, dead center, and he looked like a spec; saw Cooper a total of 4 times]

* Mary Travers / Paul Davis, The Bottom Line, May 19, 1975 ($4.00) [I saw her do the same show twice, and she wore the same dress… other date below; RIP]

* Rolling Stones / Dem Boys, Madison Square Garden, Jun 27, 1975 ($12.50) [Dem Boys was pure torture: a sea of steel drums in an echoing auditorium; it sounded like one long and continuous note, and I have not liked the sound of steel drums since]

* New York Cosmos vs. San Jose Earthquakes, Downing Stadium (Randalls Island), Jul 23, 1975 ($4.00) [Pele was in the Cosmos then; it was a long day, going into double overtime, and by the time we left, my backside was killing me, sitting that long on concrete seats]

* Mary Travers, The Bottom Line, Jul 28, 1975 ($4.00) [Attended with Bernie Kugel]

* Sparks / Mott, Avery Fisher Hall, Nov 19, 1975 ($6.50) [Opening was Mott; note that it was not Mott the Hoople; was on the guest list after interviewing Sparks the evening before: ffanzeen.blogspot.com/2009/04/bad-interviews-lynyrd-skynyrd-and.html; attended with Alan Abramowitz]

* Roxy Music, Beacon, Nov 26, 1975 (?) [Saw them twice, the other at the Academy of Music; attended with Bernie Kugel]

* Linda Ronstadt / Andrew Gold, Beacon Theatre, Dec 4, 1975 ($7.50) [Our seats were the very last row, left side; attended with Alan Abramowitz]

* Patti Smith, The Bottom Line, Dec 27, 1975 ($5.50) [The infamous show that was bootlegged everywhere; RIP Richard Sohl; attended with Bernie Kugel]

* NY Rangers vs. Buffalo Sabres, Madison Square Garden, Dec 10, 1975 ($6.00)

* The Who / Golden Earrings, Madison Square Garden, Mar 10, 1976 ($8.50) [The Who was amazing, of course, and did a large chunk of Tommy]

* Sparks, Bottom Line, Dec 21, 1976 ($4.50)

* Patti Smith Group, The Palladium, Dec 31, 1976 ($8.50)

* The Dictators / The Dead Boys, CBGB Theatre, Dec 18, 1977 ($7.50) [RIP Stiv]

* Patti Smith Group / Richard Hell, CBGB Theatre, Dec 29, 1977 ($7.50)

* Harry Chapin, Central Park, Aug 11, 1979 ($4.50) [Saw Harry a number of times; RIP; attended with Dennis Concepcion]

* Gary Puckett and the Union Gap, Club Tomato, Sep [?], 1979 ($4.00) [Attended with Alan Abramowitz]

* Herman’s Hermits [sans Peter Noone], Club Tomato, Sep 20, 1979 ($4.00) [Also saw HH with Noone once, and saw Noone without the HH once; attended with Alan Abramowitz]

* The Uncle Floyd Show, The Bottom Line, Dec 6, 1979 ($5.50) [attended with Alan Abramowitz and Stacy Mantel]

* The Tourists / Speedies, The Bottom Line, Apr 15, 1980 ($6.00) [The Tourists were Annie Lennox, Dave Stewart, soon to be the Eurythmics; attended with Alan Abramowitz]

* Alice Cooper (New York, New York show), Palladium, Aug 15, 1980 ($12.50)

* Dictators, ?, Sep 12, 1980 ($8.00)

* Rockpile / Moon Martin, The Ritz, Nov 24, 1980 ($10.00) [Have no memory of Moon Martin at all; attended with Alan Abramowitz]

* Blotto / Doug & the Slugs, The Bottom Line, Mar 16, 1981 ($7.00) [On guest list; RIP Doug Bennett]

* Franken and Davis, Savoy, May 20, 1981 ($3.00) [The show was a disappointment, despite the famous audience members, and many of SNL members guest appearing; this was the night I insulted David Bowie to his face; attended with Alan Abramowitz]

* Alice Cooper / The Spiders, Savoy, Aug 14, 1981 (12.50)

* NY Rangers vs. Buffalo Sabres, Madison Square Garden, Jan 3, 1982 ($8.00)

* Mireille Mathieu, Carnegie Hall, Apr 10, 1982 ($10) [The whole audience was full of Russians, which I found surprising; didn’t hear a word of English from the audience the whole night; attended with Alan Abramowitz]

* Dave Edmunds / NRBQ, The Ritz, May 17, 1982 ($12.50) [This is around the time Dave Edmunds was a phenomenon, and rightly so; while I respected NRBQ’s talent, I found them so boring, in a Phish kind of way, and my ex-FFanzeen managing editor had quit because I refused to publish an article about them; attended with Alan Abramowitz and Stacy Mantel]

* Let’s Active / Fuzztones, Irving Plaza, Oct 21, 1983 ($8.00) [I had met Lynn Blakey of LA at a party while on vacation in North Carolina a couple of years earlier; the Fuzztones are always great]

* The Animals, Beacon Theater, Nov 12, 1983 ($15.00) [on guest list; night I met them backstage and interviewed Eric Burdon (you can find the interview on an earlier blog); saw the same 2-1/2 hour show on the same tour earlier in the year at Shea Theater in Buffalo, NY; Attended with Mary Anne Cassata]

* Monkees Reunion, Jones Beach Theater, Jul 17, 1986 (14.75) [No Mike]

* Jonathan Richman and the Modern Lovers, Mar 14, 1987 (?) [This may have been the time at the Bottom Line; I’ve seen JR a few times; attended with Dawn Kugel]

* Sweet Honey in the Rock, Washington Irving High School [Gramercy Park], Jan 14, 1990 ($19.00) [Another group I have seen a few times; some of the most magical harmonies; attended with my partner and Tamani Wooley]

How many of these have you attended? Feel free to leave a comment on the blog!